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WE ARE ALL TROTSKYITES NOW

David Pryce-Jones writes in the Sunday Telegraph:

Ignorance, fear and lack of respect for Arabs—these were the most obvious traits on display in yesterday's demonstration against a war in Iraq. Could so many people really think that it is better to leave Iraqis under Saddam Hussein's vicious tyranny than to liberate them from it?

Their protests suggest that it is not worth risking anything at all to free Arabs. To risk spilling a single drop of blood to liberate Iraq would be futile—not merely because it would be "destabilizing" or "kill children," but because the Arabs have no capacity for "Western" freedom anyway. Behind the demonstrators' slogans lies the assumption that Arabs should be left alone: they don't mind being brutalized, tortured and murdered by a fascist thug like Saddam. Where they come from, it is the natural order of things.

That line of thought is nonsense. More than that—it is racist nonsense. No one knows better than the Arabs the horror of being oppressed. No one knows better than they that tyrannical oppression is all that they will get so long as Saddam and his family are in power. Saddam's despotism is not a denial of "Western" freedom: it's a denial of the freedom that every person needs to be able to live a worthwhile life. To imagine that the Iraqis don't want to be freed, or are not entitled to it, is simply to suppose that they are less human than us.

"Racist," "fascist"—good, good, but what happened to "sexist" and "homophobic"? Here is further proof that the fall of communism has led to the ultimate triumph of Leftism, in its final stage of Procrustean "compassionate conservatism." We kill Iraqis because we love them. I’ve heard of being cruel to be kind, but this is a bit thick.

Kevin Michael Grace, 11.32 p.m., February 15, 2003 [Link]

PATHETIC FALLACY

I felt like Lear on the heath, like the Duchess of Malfi bayed by madmen. I summoned cataracts and hurricanoes, and as if by conjury the call was immediately answered.

Evelyn Waugh, Brideshead Revisited

The snow began after the feast of the birth of Our Lord. I smiled, because it had come at my command. Like had called to like, albeit without knowing. A frozen heart had wrought a frozen world. An occasion of the season, the people said, but they knew neither the curse of the contract nor the will of the conjurer. There was but one season now, and the snow fell without end. Sky of zinc and ground of steel, and the people grew anxious. Through January and February, my hand gripped the faraway multitude. On the feast of the martyr of romance, I opened the heavens. The mighty city stilled. All was ice and silence, and the people knew the dread of the forsaken. In the eye of the storm, stood the one who had sold love for gold. It had turned to ashes, and no matter the wandering, winter would follow. As above, so below.

Kevin Michael Grace, 10.49 p.m., February 14, 2003 [Link]

STILL ILL

No, this site isn't moribund. I haven't been posting for three reasons. 1. Professional obligations. 2. Malaise or what you will. My talent for expressing misery is not as elegant as that of the late Father Hopkins, S.J. Any recent posts would have resembled Jeffrey Bernard's Low Life column: "a suicide note in installments." Although...perhaps that should be my new direction. God knows I've got the material. 3. Illness. I've been rather under the weather all week. As far as I can tell, it is either a festering abscess in my jaw or something worse. I'll know soon enough. I'll post again as soon as I am able.

Kevin Michael Grace, 6.12 a.m., February 14, 2003 [Link]

POETRY CORNER

"I wake and feel the fell of dark, not day…"

I wake and feel the fell of dark, not day.
What hours, O what black hoürs we have spent
This night! what sights you, heart, saw; ways you went!
And more must, in yet longer light’s delay.
With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives alas! away.

I am gall, I am heartburn. God’s most deep decree
Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.
Selfyeast of spirit a dull dough sours. I see
The lost are like this, and their scourge to be
As I am mine, their sweating selves; but worse.

—Gerard Manley Hopkins

Kevin Michael Grace, 1.06 a.m., February 12, 2003 [Link]

AGAINST THE PANSIES

In every clime, Death studies your devices
And vain contortions, laughable Humanity
And oft, like you, perfumes herself with spices
Mixing her irony with your insanity!

—Baudelaire

Iraq’s New International Brigade has a new enlistee: the Guardian’s Julie Burchill. As someone who has followed Julie’s career for a quarter-century, this development is deeply satisfying.

I must apologize for having previously described Burchill as a "Trotskyite." I knew better but had sought taxonomic simplicity. Burchill has never disguised her admiration of the Man of Steel. ("My heroes always disappoint me. Joe Stalin, Indira Gandhi, Bryan Ferry—one by one they blow it.") Stalin wasn’t stallin’—and neither was La Burchill. Here’s an excerpt from her interview with the British journal The Devil:

DEVIL: Were you ever suspected of being a KGB agent?

BURCHILL: I wish I had been one. Too late now. I was the only person that supported Soviet Communism. All my friends even on the Left said 'Those bloody fascists.’ They tried their best. Of course there were terrible things done. But when you realised how they pulled themselves out of the mess they were in—starvation, peasants unable to read or write, being invaded. How could people imagine after being invaded by three countries in the first days after the revolution that the Soviet Union would go to being bloody Hampstead? Of course they were going to become barbarians. Of course they were going to throw up a Stalin. Because they were never left the fuck alone to develop. Of course they became fearful and paranoid. Through thick and thin you've got to stick to them. Like that great Scottish poet Hugh McDiarmid who joined the Party when all the other tossers were leaving it, after the invasion of Hungary in ’56. He said, 'Now they need us.’ When the Berlin Wall fell, and those liberal tossers cried 'Oh, freedom! Oh wonderful,' my dad called me up, he was crying, and he said 'They've got us, girl.' Everybody else was saying come and join the celebration, but I thought 'fuck off.' My Dad and me got on the phone about it, we'd moan like two old married women, having to suffer these brutes. They'd never lived it. When my dad had cheered up a bit, he said 'Tell you what though, everything's going to happen now, drugs, crime, gangsters, I think we're well out of it basically. Over and out.' And he put the phone down.

According to Burchill, opponents of invasion are "racists."

If you really think it's better for more people to die over decades under a tyrannical regime than for fewer people to die during a brief attack by an outside power, you're really weird and nationalistic and not any sort of socialist that I recognise. And that's where you link up with all those nasty rightwing columnists who are so opposed to fighting Iraq; they, too, believe that the lives of a thousand coloured chappies aren't worth the death of one British soldier. Military inaction, unless in the defence of one's own country, is the most extreme form of narcissism and nationalism.

Now I get it:

"Military inaction" equals "social fascism."

You can’t make an omelette without breaking eggs.

War is peace.

Justin Raimondo is absolutely correct—the pro-invasion side really is a Red-Brown alliance.

But never let it be said that the Bitch of Brighton lacks self-awareness. Burchill  has cleverly anticipated the disgust her support for invasion will engender.

"Ooo, your friends smell!" Well, so do yours. We may be saddled with Bush and Blair, but you've got Prince Charles (a big friend of the Islamic world, probably because of its large number of feudal kingdoms and hardline attitude to uppity women), the Catholic Church (taking a brief break from buggering babies to condemn any Western attack as "morally unacceptable") and posturing pansies such as Sean Penn, Sheryl Crow and Damon Albarn.

Ooo, pansies! Whatever can this erstwhile lipstick lesbian mean? That it is sissified to inhale the stench of the charnel-house and not call it Chanel? To only bugger babies and not kill them? Here’s Julie "I’ve had five abortions, and what of it?" Burchill on the maternal instinct:

"No woman takes abortion lightly," even the valiant pro-choice spokeswomen have taken to saying, not realising that they are adding to the illusion that abortion is a serious, murderous, life-changing act. It isn't—unless your life is so sadly lacking in incident and interest that you make it so.

Myself, I'd as soon weep over my taken tonsils or my absent appendix as snivel over those abortions. I had a choice, and I chose life—mine.

So what’s it going to be then, eh? The side of Prince Charles, the Catholic Church, Sean Penn, Sheryl Crow and Damon Albarn—or the side of Tony Blair, Christopher Hitchens, Salamander Rushdie, Andrew Sullivan (no pansy, he!) and Julie Burchill?

The invasion of Iraq is old Communist blood in new bottles.

Those at the forge must do their duty
And we'll strike while the iron is hot

(Not that Andy Sullivan's a Commie, mind—oh no, no, no. He’s a "Tory"—hee, hee, hee!)

Kevin Michael Grace, 1.50 a.m., February 9, 2003 [Link]

ONE IN 10?

I’m enjoying Terry’s Teachout’s The Skeptic: A Life of H.L. Mencken, but I get the impression Teachout doesn’t like poor, damned Henry very much. Ronald Knox said that novelists should hate their subjects and biographers should love theirs--good advice, I’d say. The following passage struck a chord.

In a set of autobiographical notes prepared for the use of scholars and put under time seal, Mencken left no doubt as to his bleak view of adolescence: "The teens are at once too grotesque and too pathetic to be dealt with in the mood of the three ‘Days’ books. They belong, intrinsically, to pathology, and it is no wonder that they offer a happy hunting ground to quack psychologists. The individual passing through them has lost the artlessness of childhood but is still far from the rationality of maturity."

I once expressed a similar sentiment to Lorne Gunter, and he looked at me askance, to put it mildly. Glad to discover Mencken felt the same.

Elsewhere, Teachout reports on today’s Baltimore, "One in 10 Baltimoreans is a heroin addict." Surely some mistake. Jesse Walker, can you help me out here?

On the stereo: the Kinks, BBC Sessions: 1964-1977, "When I Turn Off the Living Room Light" (Ray Davies):

Your nose may be bulbous,
Your face may be spotty,
Your skin may be wrinkled and tight.
But I don't want to see you,
The way that you are,
So I turn off the living room light.

Kevin Michael Grace, 11.04 p.m., February 8, 2003 [Link]

NOLO CONTENDERE

I had planned on posting a whole slew of new items last night…and then spent the evening putting out fires. First off, I didn’t have any stats. Actually, I had a few, which didn’t make any sense, as I didn’t have the Site Meter HTML on my site. So I put it back, but I couldn’t see it. That’s because my default was for some reason set to invisible. Fixed that and then discovered that the blogroll on my index page was buggered. Spent about an hour trying to make it the same as the other pages where the blogroll was not buggered. All the settings were identical, as far as I could see. After much profanity and hair pulling, eventually wiped the page clean, imported another page as a template and then reinserted the data. Then I discovered that the links on the index page didn’t work. Well, they didn’t work for me, anyway. They worked for other people, but when I clicked on them, they pointed to pages on my hard drive, not the website. Who cares?, you ask. I care. If you had any idea how long it took me to reconfigure every single break, head and hyperlink in my archives, then you’d understand.

I must be the only person in the world who uses FrontPage to blog. If there are any others, please let me know. Hand coding blows. Oh, I know it’s not hand coding, per se. It’s object-oriented hand coding. Same dif. Microsoft seems to have missed out entirely on the whole blog thing. C’mon Bill, have you lost your touch? I would have expected you to have seconded Steve Ballmer a year ago to figure out how to get people to pay for what they’re been getting for free.

Reaction to the redesign: no prizes for picking up on the Spinal Tap references. Nobody picked up the King Crimson ref, however. Not even Colby Cosh. I am disappointed. Here’s a clue—check out the booklet that comes with the four-CD live set; the review is of Red, by Gary Kenton, if memory serves.

Warren Kinsella writes:

Nice new design. Nice photo. It all looks rather...similar to something I've seen somewhere. Hmmm.

Hmmm, I guess it does. But I didn’t design it. Dave Stevens did, and as anyone can tell you, Dave hasn’t the slightest interest in politics. There’s about as much chance he cribbed my design from your site as there is of you working for the Canadian Alliance. And on the Doppelgänger front, I love the Vines CD too; it’s my second favourite release of 2002. First is Sea Change by Beck.

Kevin Michael Grace, 10.15 p.m., February 8, 2003 [Link]

BITE-SIZED

A press release purportedly from Canadian Alliance leader Stephen Harper crossed my desktop Wednesday:

FOR IMMEDIATE RELEASE
February 5, 2003

HARPER ON...IRAQ

OTTAWA—In response to demand from columnists and opinion leaders for regular updates on our daily messaging, the Office of the Leader of the Opposition will be providing a regular release bearing a quotation from Leader Stephen Harper, encapsulating our messaging on the issues leading the day's news. Please find below our daily volley: "What is the logic in our Government continuing to give Saddam Hussein the benefit of the doubt?"—Canadian Alliance Leader Stephen Harper
-30
For more information please call: Carolyn Stewart Olsen 613-297-9479

Pithy.

Further volleys will include:

How much is that doggie in the window?
How soon is now?
Does anybody really know what time it is?
Does your chewing gum lose its flavour on the bedpost overnight?
What’s the 411?
Do you know the way to San Jose?
Who put the bomp in the bomp, bomp, bomp?
How do they get that delicious caramel into the Cadbury Caramilk bar?

Kevin Michael Grace, 11.15 p.m., February 7, 2003 [Link]

BACK IN BLACK

I wear black on the outside, ’cause black is how I feel on the inside. You are witnesses at the new birth of The Ambler, Mark Two.

What, did you think I was pulling a Kelly Torrance on you? Not bloody likely. And what does “insecurity” have to do with it, anyway? This blog is a testament of my insecurity. My life is summed up by that song—"Unloveable," that is, not "Jazz Odyssey"—and yet I go on regardless.

I am black, but comely, O ye daughters of Jerusalem. Nigra sum, sed formosa. A favourite line of Muriel Spark’s and also of mine, because it encapsulates my name. Formosa means comely in Latin, and Kevin means “comely birth” in Irish.

And black is the colour of priests and anarchists, as Erik von Kühnelt-Leddihn reminds us.

Credits:

Photo by Kevin Steel, taken January 6, 2003, in the Terry Johnson Memorial Room at the magazine formerly known as The Report, Edmonton..
Jacket by Danier.
T-shirt by The Gap.
Hair by Jimmy’s Barber Shop, Victoria.
Photo retouching and Web design by Dave “Hercules” Stevens.

I had considered passing off a picture of Dirk Bogarde or Laurence Harvey as myself but decided against it. Behold the man. I may not be conventionally good-looking, but feel the power.

Hope you enjoy my new direction. Navigation should be easier, as I have, as promised, delivered a real archive. (A handful of links do not work yet, but these will be repaired soon.) Praise, complaints, etc., to the email address below.

Kevin Michael Grace, 4.22 p.m., February 6, 2003 [Link]

 
POOR LITTLE GREEK BOY
 
The New Yorker once ran TV ads touting itself “the best magazine that ever was.” Far too precious and ponderous for my taste, I’m afraid. For me, the best magazine that ever was was the Spectator, when Alexander Chancellor edited it in the 1970s and 1980s. Reading the Spectator then was like overhearing the dinner-table (and after-dinner) conversation of a group of unusually intelligent and amusing men and women. It was a magazine of opinion, often strong opinion, but there was no Olympian posing; it harboured no delusions about “making the world a better place.”
 
Chancellor, ironically, later worked for Tina Brown during her reign of terror at the New Yorker. It was an ill-fated pairing, as the two couldn’t be more different. Chancellor is of the tradition that views success as something of an embarrassment and striving for success as beyond the pale. Brown, of course, was noted for her ambition even as a student at Oxford. Chancellor’s laissez-faire approach has since become legendary. Graham Lord writes in Just the One: The Wives and Times of Jeffrey Bernard
 
The editor of the New Statesman, Anthony Howard, would regularly make Bernard rewrite his articles before he would publish them, whereas Alexander Chancellor’s approach was much more relaxed—or “slightly bizarre,” as Dick West, who was lured to the Spectator at the same time, put it: “The Spectator was edited in a shambolic way, completely instinctively, over many drinks in a pub. It was very fluid.’ Dick West used to joke that Alexander Chancellor’s typical day as editor of the Spectator began thus:
 
10.55 Arrive at office
11.00 Lose article by Solzhenitsyn
11.05 To pub for gin and tonic
 
During Chancellor’s tenure as editor the Spectator and Private Eye (then edited by Richard Ingrams) shared so many writers it seemed like one magazine with two faces: a nice one and a nasty one. For years my allegiance to the two organs was so complete I began to think of their writers as my friends. A foolish belief but a pleasant one. As I later discovered to my sorrow, journalists aren't even friends with each other. We hacks are characterized primarily by insecurity, and our lives are poisoned by a thousand fears, jealousies and resentments.
 
Chancellor’s tenure came to a sad end. His friend Auberon Waugh wrote in his autobiography, Will This Do?:
 
I know the drama of Alexander’s sacking only at second-hand. I was not a participant. But the generally accepted version of the story is that Alexander had hired A.N. Wilson, the novelist, as his literary editor and then wished he hadn’t. An opportunity arose to sack him when a reviewer sent in an article which praised the appalling Clive James, so Andrew (Wilson) altered it to say the opposite. The reviewer complained, and Clive James complained, so Alexander was able to sack A.N. Wilson, saying this was unethical behaviour.
 
Next thing—or so the story goes—the sacked Andrew Wilson makes friends with [new Spectator owner Algy] Cluff and starts whispering in his ear that Chancellor is no good, Chancellor drinks too much, Chancellor is never in the office.
 
This was exactly what Algy wanted to hear, so he sacked Alexander and appointed Charles Moore. [Now editor of the Daily Telegraph.]
 
The fears, jealousies and resentments of that time and place are described amusingly in Jane Ellison’s roman-à-clef Another Little Drink—and, somewhat less cattily, in Harry Thompson’s Richard Ingrams: Lord of the Gnomes
 
All this was unknown to me when I became a hack myself and had the great good fortune to interview many of the participants: Chancellor, Wilson, Ingrams, Richard West and his wife Mary Kenny, Piers Paul Read. I can’t say how much they enjoyed our little talks; perhaps they found my hero-worshipping (or arse-creeping, as the British call it) tiresome.
 
When I spoke to Waugh—then as now my journalistic idol—I was shaking with terror. But for some reason I cannot explain, I wasn’t nervous at all when I spoke to Taki, even though my acquaintance with him (as a reader) went back the farthest—all the way back to the late 1960s, when he wrote for National Review. (Although Taki he claims his columns were actually written by William Buckley’s then-teenaged son Christopher.)
 
It was early morning for me in Vancouver, but afternoon for him in London when I reached the great man at his home. He told me he was watching women’s tennis from Wimbledon, cheering for Pam Shriver—“because she’s the only one who isn’t a dyke.”
 
How I love a man who says what he thinks! And how very rare that is—especially today when hacks aspire to become trimmers and time-servers. I have admired Taki for over three decades, and my admiration has threatened to become somewhat unhinged since he decided to bankroll Pat Buchanan’s American Conservative. Not everyone holds him in the same esteem, however. Ingrams, who once employed him, denounces him on a monthly basis, while Canada’s own snuff-stained John Fraser considers him "the most conspicuously enfranchised bigot in Western journalism." Oh dear.
 
It was Alexander Chancellor who made the genius decision to pair  Taki with Jeffrey Bernard as High Life/Low Life stablemates (he also poached Waugh from the New Statesman). Bernard and Waugh are dead, and Taki is the only remaining link to the glorious Chancellor era. His days might be numbered. A recent Spectator column has come to the attention of Scotland Yard, which apparently has better things to do than combat the crime making life in Britain intolerable.
 
The Independent sniffs:
 
Even by Taki's standards the piece was extraordinarily offensive. Under the headline "Thoughts on Thuggery" he wrote: "Oh boy, was Enoch--God rest his soul--ever right! Now there's a man who was tough on the causes of crime long before the crime had been Blaired."
 
Referring to the New Year shootings of two black girls in Birmingham he continued: "Only a moron would not surmise that what politically-correct newspapers refer to as 'disaffected young people' are black thugs, sons of black thugs and grandsons of black thugs…West Indians were allowed to immigrate after the war, multiply like flies, and then the great state apparatus took over the care of their multiplications. The "Rivers of Blood" speech by Enoch was prophetic as well as true, and look what the bullshitters of the time did to the great man."
 
Indeed. But no one thought of arresting him. I had long thought Canada would be the first Anglosphere country to arrest journalists for their opinions, but Britain has pipped us to the post. Here’s an opportunity, perhaps, for Jean Chretien to learn something from President Tony Blair. After all, Tony has learned so much from Canada. Where do you think he got the idea of turning his MPs into trained seals?
 
Taki has already fallen out spectacularly with the Spectator’s proprietor, Conrad Black, and now his editor, Boris Johnson, says he was on vacation when the offending column was published, “It was a terrible thing,” etc., etc. Too bad Johnson doesn’t demonstrate the loyalty to his writers Chancellor did—or Tina Brown, for that matter. Bron Waugh once compared, in the Tatler, a bottle of wine
 
in its presentation and appeal, with “a dead chrysanthemum on the grave of a still-born West Indian baby.”
 
Waugh was “hauled before the Press Council to answer these charges.” There, “Tina stood beside me throughout the ordeal, keeping a beautiful straight face."
 
Inspector Knacker is sorely mistaken is he believes Taki will be cowed by the threat of imprisonment. He's already served a stretch and acquitted himself handsomely.
 
Kevin Michael Grace, 3.45 a.m., February 4, 2003 [Link]
 
 
WHERE THE PRATIES GROW
 
Picked up a copy of Flann O’Brien’s The Poor Mouth on Friday. Published in Irish in 1941, it is a satire on the cult of Irishry. The introduction by its translator, Patrick C. Power, MA, PhD, contains one of the funniest paragraphs I have ever read.
 
In The Poor Mouth [O'Brien] comments mercilessly on Irish life and not only on the Gaeltacht [the Irish-speaking region of Ireland]. Words such as “hard times,” “poverty,” “drunkenness,” “spirits” and “potatoes” recur in the text with almost monotonous regularity. The atmosphere reeks of the rain and the downpour, and with relentless insistence he speaks of people who are “facing for eternity” and the like. The keywords in this work are surely “downpour,” “eternity” and “potatoes” set against a background of squalor and poverty.
 
Ah, the noble tuber!
 
Kevin Michael Grace, 2.17 a.m., February 3, 2003 [Link]
 
ONWARD CHRISTIAN SOLDIERS
 
My apologies for the lack of new posts. My magazine was completely redesigned this week. Didn’t finish until 3.30 this morning, and I won’t begin to feel human again until tomorrow. In the meantime, here’s more of the best of KMG. Another Galaxy 500 piece from 1999, which gives some insight into the "mindset" of those braying loudest for an invasion of Iraq. Original posts will return tomorrow.

A friend of mine has programmed his TV so that stations he never watches are “locked out.” Not me: I need all 500 channels (well, 65 in my neck of the universe) for the full surfing experience--even the mysterious 59, which is not listed in TV Guide, and is identified on the screen only as DTY. (The Destiny Channel?) Channel surfing is the closest non-specialists like me will get to the stochastic universe so beloved of quantum physicists. It’s a funhouse in a box; step right up my friends for the show that never ends! Move me or lose me! You never know what’s up next: a face, a name, an explosion, a female voice exclaiming, “Two shocking predictions in the great Egypt pyramid!”
 
The last was the opening of Jack Van Impe Presents, which boggles minds for 30 minutes every Sunday on Vision TV, the CRTC-approved virtual church that answers that thorny theological question “What’s religious broadcasting without a generous helping of second-rate British sitcoms?” The promise of Egyptian arcana was made by Rexella Van Impe, Dr. Van Impe’s wife, whose tousled, bottle-blonde hair and sexy-neurotic microphone technique make her the End Times Marilyn Monroe.
 
JVIP is the Washington Week in Review of biblical prophecy. Rexella breathlessly (or breathily) announces some the-world-is-going-to-hell-in-a-handcart item culled from the press--Anti-Semitism Is On The Rise in Russia! The Cold War Isn’t Over!! Islamic Terrorists Have Nuclear Weapons!!!--and then hands it over to Jack, a suave fellow with buttery jowls and Jimmy Johnson hair whose emotional state turns on a dime. He then bats it out of the park: “Listen to me: It isn’t going to be long!” Rexella then looks at him lovingly and utters an endearment, such as, “Umm….my, that’s so good, Jack.”
 
Dr. Van Impe’s line of thinking is called dispensational premillennialism. Seeing as this is one of the hottest trends in evangelicalism, you might think it’s easily obtainable from any number of local churches. But you’d be wrong. According to Jack, your preachers aren’t giving you the straight goods. Why, some of them “don’t have enough backbone to take a chiropractic adjustment.” (Rexella really liked that one!) And does your local church offer the Apocalypse on video starring Jeff “Lawnmower Man” Fahey and superannuated supermodel Carol Alt, with cameo appearances by Jack and Rexella, available for the low, low price--sorry, donation--of $34.95? I thought not.
 
As someone who was taught that “trusting to charms, omens, dreams, and suchlike fooleries” is a snare of the Devil, I believe that biblical prophecy is best avoided--unless you are called Isaiah or St. John the Divine. But let’s get back to Rexella’s promise. What does the Great Pyramid of Gizeh have to teach us? Well, you see there’s this timeline written on its walls, and it’s never been wrong in 4,000 years…Funny, I’ve never read anything about that in my translation of the Bible.
 
If JVIM makes you want to start taking anti-depressants, then Faithville, which follows it on Vision, makes it you want to lower your dose. I have never seen a Christian sitcom before, and I hope I will never have to again. For Faithville is, without question, the most bizarre television program I have ever seen. According to its producer, it is intended to “preach God’s word in a fun way.”
 
If your idea of fun is a man dressing up in Scuba gear because he’s afraid he’ll be drowned when baptized, then Faithville is right up your exegesis. A Pilgrim’s Progress for children--or mental defectives--it has mustachioed characters with allegorical names (Up, Doubt, Hope, Charity, Cutwright, etc.) and a stupid one (Dr. Les To Doo, geddit?), pratfalls galore, Baptist theology and even canned laughter. Even a guy scratching his head with a screwdriver. Now that’s comedy. And a happy ending of course. Mr. Doubt, who learns that becoming born again is not an extreme sport, decides to forgive the wacky pranksters who led him on, concluding, “I really should be angry at those guys. But come to think of it, it was a really good joke.” Thou sayest, buddy.
 
A detailed examination of Faithville would require a viewing of 67 episodes available on video (price not announced). I may get around to that one day, but right now I’m back to the Bible. I think I’ve found proof that the number seven in the Book of Seven Seals refers to my local CBS affiliate.
 
Kevin Michael Grace, 10.08 p.m., February 1, 2003 [Link]

Friends & Family
Colby Cosh
Lorne Gunter
Rick Hiebert
Michael Jenkinson
Sarah Eve Kelly
Jeremy Lott
Kelly Jane Torrance

Rebecca Grace

Useful Information
American Conservative
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Arts & Letters Daily
ArtsJournal.com

Pierre Bourque
Canadian Bullet

Chronicles
Drudge Report
Globe & Mail
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Guardian
Huffington Post
Majority Rights
New Criterion
Lew Rockwell
Remnant
Spectator
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VDARE
Wikipedia

Selected Columns
2Blowhards
Lawrence Auster
Blank Out Times
Patrick J Buchanan
Buckets of Grewal
Kevin Carson
Paul J Cella
CCR Centreblog
Alexander Chancellor
Jay Currie
AC Douglas
Dawn Eden
Edward Jay Epstein
Edward Michael George
Godspy

Paul Gottfried
Gene Healy
Jim Henley
Richard Ingrams
Jim Kalb
James Howard Kunstler
Norman Lebrecht

London Fog

Eric Margolis
Allan Massie
Evan McElravy
Jerry Pournelle
Steve Sailer
Eli Schuster
Chris Selley
Peter Simple
Joseph Sobran
Norman Spector
Clark Stooksbury
RJ Stove
Taki
Jesse Walker
Jude Wanniski
Paul Wells
AN Wilson
James Wolcott
Antonia Zerbisias

.......